Converting “Finding Nemo” to 3D
“What was kind of funny was that we’d show Andrew [Stanton] some of our shots and then explain how we’d had to move a particular piece of particulate matter in order to get rid of a bit of visual distraction, make the scene look better in 3D. And he’d know the exact CG fleck that we were talking about,” [Bob] Whitehill marveled. “Andrew could remember—when they were originally putting together the 2D version of Finding Nemo—how they’d put that particular particulate in place so that the sea Marlin & Dory were swimming in would look just right. So it would provide the proper mood & setting for that moment in the movie.”
