I’ve been working continuously in what is now called “tech journalism” for 20 years, 8 months, and 7 days. In January 1994 I started at MacUser magazine while I still had a semester of grad school left to go. I haven’t had a day where I wasn’t either a full-time student or a full-time employee of a publishing company since the day I toddled into Kindergarten in the fall of 1975.
Until today, that is.
Pretty much the whole Macworld staff has been let go. Looks like the end. Sad
After 10 years as a Macworld editor, I’m a freelancer again (along with too many of my colleagues). Sad day for me, but also for Macworld.
So, um... anyone hiring?
Best wishes to all of the Macworld folks. Thanks for so many years of great work. I have read, I think, every issue since about 1990. Thank you for the Eddy, which was one of the major factors in getting my business going. Thank you for holding the line with real journalism and lab testing in a world of click-bait headlines. I’m looking forward to seeing what you do next.
Update (2014-09-10): Dan Miller:
Macworld print is going away, but http://macworld.com will continue.
My first writing job was Macworld magazine; 13 wonderful years. Today, nearly the entire staff has been laid off. Breaks my heart.
Also troubling is the demise of the print edition of Macworld. Since the launch of the Macintosh in 1984, Macworld has been a stalwart of the Mac community, a role that has continued through the 1997 merger with MacUser (see “MacUser and Macworld Merge,” 11 August 1997) and the disappearance of MacWEEK (“MacWEEK to Roll into MacCentral,” 5 March 2001). The print magazine world is tough, but it’s still surprising that Macworld would fold now, with Apple so dominant and Apple products used by so many millions around the world.
My thanks also to @jsnell who took a chance on a furry mythical creature with a bad attitude. Guy’s like a cat, he’ll land on his feet.
If you haven’t heard: Today’s my last day at @macworld along with a lot of other fine folks. Thanks for all your support—you guys are swell.
Is it just that it’s hard to make enough money to run a quality publication?
Update (2014-09-11): Serenity Caldwell:
Took a self-photobombed shot of yesterday’s liveblog crew in action. I’ll miss these jerks.
Losing Macworld Lab is a real blow to the Mac community. Knowing how to do good performance testing on Apple gear requires deep knowledge.
Be more pissed about 20 years of inadequate response to digital media through determined executive resistance. Cuz, you know, IDG could have owned the *world with the great staff they had.
The designers and photographer who made Macworld/PCWorld/TechHive look great have also been laid off. So much talent for hire!
RIP Macworld Labs. You will never see this awesomeness again.
To those saying Macworld layoffs related to print were inevitable, understand that the bulk of our/their jobs was daily online work.
Over the last few years, we’ve all seen Macworld’s website degrade further into reader-hostile designs and lower-rent ads, borrowing against their future goodwill and relevance just to keep the lights on, while hoping for better economic conditions that we all know will never return to that business. Like a beloved relative whose last years were difficult and undignified, I’m going to choose to remember only the good times.
Update (2014-09-13): Serenity Caldwell:
I’ve loved every second working for Macworld’s editorial staff. These are some of the best folks in the business, and they took a 22-year-old Apple-obsessed tech enthusiast who didn’t quite know what she was doing and helped her evolve into a full-fledged reporter. I am so grateful to every one of these people—both for what they’ve meant to me as my friends and as my colleagues. Working in this field is a dream job.
I should mention that PCWorld, TechHive, and Greenbot all lost staff yesterday. Macworld was most dramatic change, but far from the only.
It’s easy to blame management because, hey, it’s always The Man, right? But the truth is that Macworld continued as a print publication for as long as it did because the people at the very top had a soft spot for it. They tried every way they could think of to make it work. Regrettably, the realities of economics eventually took hold.
But I’m not here to feed Internet tittle-tattle. Rather, as someone who’s been with Macworld (and MacUser before it) for a very long time, I’d like to provide potential employers (and those who are simply interested in their favorite writers) some details about my departed colleagues.
For the last eight years, I’ve devoted most of my waking moments to following Apple coverage. To say that I’ve loved every moment would be an overstatement: like any job, there are plenty of ups and downs; for every triumph, there was an opportunity to learn from mistakes. But I had the privilege of working alongside folks who I’d been a fan of from afar—Jason, Chris Breen, Dan Frakes, Jim Dalrymple, Peter Cohen, Rob Griffiths—folks who worked just as hard, even if their names didn’t always come to the forefront—Scholle Sawyer-McFarland, Philip Michaels, Dan Miller, Jon Seff, Jackie Dove, Jim Galbraith—and folks who I met along the way—Roman Loyola, Serenity Caldwell, Lex Friedman—as well as more freelance contributors than I can name.
For years, Macworld set the standard for Mac journalism, and the volume of talent that is presently unemployed is simply obscene. There’s little doubt that these talented folks will quickly find new opportunities. I only hope that many of them will remain in the Apple space, so that we can continue to benefit from their work for years to come.
This week, the Macworld family lost many key staffers whose passion, creativity and tech knowledge made this website and our magazine an industry flagship. But amid the loss we’re excited about what the future holds. Please stay tuned for great things ahead.
Update (2014-09-18): Jason Snell:
Over the last decade we all made an enormous effort to transform Macworld editorial from a magazine mentality to a web site mentality. And honestly, it worked: By the end, the magazine was essentially a curated collection of the best stories from the website, cut down and copy edited and with nice photographs. The economics of the business just didn't make it possible to continue.
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