{"id":45947,"date":"2024-11-26T14:15:51","date_gmt":"2024-11-26T19:15:51","guid":{"rendered":"https:\/\/mjtsai.com\/blog\/?p=45947"},"modified":"2024-12-10T11:40:17","modified_gmt":"2024-12-10T16:40:17","slug":"apples-movie-theater-beef-with-hollywood","status":"publish","type":"post","link":"https:\/\/mjtsai.com\/blog\/2024\/11\/26\/apples-movie-theater-beef-with-hollywood\/","title":{"rendered":"Apple’s Movie Theater Beef With Hollywood"},"content":{"rendered":"

Mike Fleming Jr.<\/a>:<\/p>\n

Jon Watts, the filmmaker who stepped out of the Spider-Man<\/em> franchise with Tom Holland and Zendaya to script and direct George Clooney<\/a> and Brad Pitt<\/a> in the film Wolfs<\/a><\/em> for Apple<\/a>, created a press dustup yesterday when he let slip that he and they would not be doing a sequel<\/a>, even though Wolfs<\/em> became by far the most viewed feature film ever released on Apple TV+.<\/p>\n

[…]<\/p>\n

It is similar to when Doug Liman feuded with Amazon after his Road House<\/em> remake went straight to streaming despite his deal for a theatrical release and huge test scores, and he is not returning for the inevitable sequel. It underscores the continuing dilemma between streaming bows and risky theatrical release deals with big P&A spends.<\/p><\/blockquote>\n\n

Via M.G. Siegler<\/a>:<\/p>\n

Look, on paper, in a vacuum, I’m not sure Apple didn’t make the right call in pulling back on the theatrical release and going straight-to-streaming. The reality<\/a> of our current<\/a> situation<\/a> is such that<\/a> a movie like Wolfs<\/em> – especially and oddly when marketed by Apple<\/em> – was unlikely to be a big hit at the box office. And that would have been a black eye. For Apple. For Clooney. For Pitt. For Watts. For everyone. So pulling it back made sense in this very practical regard.<\/a><\/p>

But my god the intangibles here<\/em>. First and foremost, risking pissing off two of the biggest movie stars in the world with the maneuver. Second, this was exponentially riskier because one of those movie stars, Pitt, was in the midst of wrapping up Apple’s biggest movie ever which will need to be a huge hit in theaters: F1<\/em>.<\/a> Third, risking pissing off one of the hottest directors in the industry right now with the maneuver. Which clearly happened!<\/em> Honestly, all of the above probably happened, but Watts is the only one talking about it openly right now.<\/p>

And it’s not just the move Apple pulled, it’s how<\/em> they did it. A last-minute bait-and-switch. And done with not only no discussion but almost no heads up. And then the ultimate dagger in the back: trying to spin the move with the sequel talk (which immediately seemed fishy to everyone when paired with the pull-back news – obviously) after Watts explicitly asked them not to do that<\/em>.<\/p><\/blockquote>\n\n

Wes Davis<\/a>:<\/p>\n

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The New York Times<\/em> reported<\/a> in August that Apple pulled the theatrical run for Wolfs <\/em>because it was concerned it was spending too much on films after suffering multiple high-profile box office disappointments.<\/p>\n<\/blockquote>\n\n

Previously:<\/p>\n